
Before the Punchline Lands
Rikki and Gojo's date wound down on the gravel path under a cool, clear sky — three kisses, a selfie, and a 'hopeful optimist' saved to her camera roll. She walked inside on her own terms, leaving hi…
The laugh comes out soft and helpless — barely a sound, more like breath given a shape — and Rikki watches it land on Gojo's face like something he wasn't prepared for. His expression cracks open one more centimeter. He's been collecting himself all evening, building back up to something, and the small laugh undoes it all in one exhale. His hand at her back presses once — just once — deliberate and warm, and the string lights above them go on swaying in the evening air like they didn't notice, like this is perfectly ordinary, like two people aren't standing at the edge of something on a rooftop in the dark.
Gojo Satoru: "Don't do that. I was about to say something impressive."
"Okay, okay... we have to call it a night soon, but I wanna hear it, what were you going to say?"
Gojo goes very still for a moment — not the performed stillness he does when he's deciding on a line, but the real kind, the kind where his jaw shifts slightly and he looks at something just past her shoulder while he reassembles the sentence he lost. Then he looks back down at her, and the gold of the string lights catches the particular expression of a man who knows this will cost him something and is deciding, quietly, that she's worth the currency. His hand at her back hasn't moved. Neither has she.
Gojo Satoru: "I was going to say — I came up here knowing exactly how I wanted this to go. And then you laughed, the first real one, back at dinner, and I... lost the whole script. So the impressive thing was going to be that I didn't have one anymore. That's it. That's what I lost."
"You know what, Gojo, Im okay with that. When its just me and you... let's improv. Deal?" Rikki locked eyes with him once more, awaiting his response as they continued to dance.
The word lands — improv — and something in Gojo's whole body shifts, like a key turned in a lock he forgot he'd installed. He exhales through his nose, the corner of his mouth pulling slow and real and helpless, and for one unguarded second he just looks at her — not performing looking, just actually doing it. The city hums its soft irrelevant music below, the string lights sway once in a warm current of air, and his hand at her back spreads just slightly wider, like he's taking the deal with his whole palm.
Gojo Satoru: "Deal. No script, no play. Just... this."
"I think it's time I turn in... we've got a long day ahead of us tomorrow." Rikki pulls away regretfully, already missing the warmth of his touch.
Rikki steps back first — unhurried, deliberate, her hands trailing from his until only fingertips remain, and then not even that. The city's string music floats up indifferent and sweet, like it didn't notice the ending. Gojo watches her pull back the way you watch a door close on a warm room — not chasing it, just noting the temperature change, his hand slow to drop to his side. The gold of the string lights catches the cursive on his palm one last time.
Gojo Satoru: "Yeah. Tomorrow's going to be a lot, and I — yeah. Go sleep. I'll be annoyingly awake down there if you need a reason to not."
🤭 "annoyingly awake — noted"
The words land easy — annoyingly awake, noted — and Gojo's smile breaks open, unhurried and real, nothing strategic about it. He huffs once through his nose, not a laugh exactly, just the sound a person makes when something hits them exactly right, and he looks down at the cursive on his palm like it's already a memory he's keeping. The city below does its indifferent glittering thing, and the string lights above sway once in a warm current — the rooftop holding both of them for one last beat before she goes.
Gojo Satoru: "Annoyingly awake. I'll be in the kitchen. Making noise. Completely by accident."
🌙 call it a night
Rikki reaches back and pushes open the rooftop door with one hand, the warm night air spilling past her into the stairwell, and she lets herself take one last look at him — at the string lights catching the cursive on his palm, at the particular way Gojo is standing like he's making himself stay exactly where he is. Behind her the villa hums: somewhere below, the low murmur of the kitchen, a glass set down, the familiar sounds of a house full of people pretending not to be waiting. She lingers in the doorframe just long enough that it means something, and then she goes.
Gojo Satoru: "Hey. Tomorrow — no script. I meant it."
Nanami Kento: "There's tea on the counter if you want it. Chamomile. I made too much, apparently."
Oh! Well thank you, Nanami, I will take a glass. Hey, do you know what time it is by chance?"
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